By the time Jayne Mansfield came to film her Wild Wild World documentary in the late 60s, her star was well and truly on the wane. The A-movie parts had dried up and she was acting in B-movie trash and touring night clubs in order to make a living. As well as regular centre spreads in magazines like Playboy, Mansfield still maintained a place in the public eye. Although by no means the star she once was she still commanded press attention and was probably, by this point, one of the first people to be famous for being famous.

The Wild, Wild World of Jayne Mansfield is a curiously muddled affair which cobbles together footage of Jayne sashaying around various Euro locations. Jayne visits tourist attractions, night clubs, nudist beaches and beauty parlours in a whistle-stop tour of Europe.

Jayne unfortunately was killed during the production of the film and so some early scenes of her in Rome involve a (sometimes) poorly concealed double. Another drawback is the faux-Mansfield voice over. More a parody of Mansfield than anything else this breathy, dumb blonde voice comes out with some real clunkers during the course of the film! Perhaps the most twisted aspect of the movie is the inclusion of photographs of the scenes of the car crash which claimed Jayne's life followed by a tour of the Pink Palace by a glum-looking Mickey Hargitay and two of Jayne's young sons. A rather sleazy and sensational end to an otherwise harmless piece of late-60s camp.

Although by no means a good film, this is an interesting one to watch. It is nice to see the attention Mansfield still attracted by this point in her career. Although the success of glossy A-movies such as The Girl Can't Help It were more than 10 years old by this point and Mansfield was 'starring' in dross like The Fat Spy, she could still draw a crowd. Although less curvy than in her heyday and there being something slightly grotesque about her wiggle and constant near-nudity, Jayne was nothing if not a personality. And her Wild, Wild World sums her up perfectly!

*One point of interest for film buffs: David Puttnam is credited as an executive producer on this film. A very early film credit, Lord Puttnam is he is now is probably more famous for producing movies like Midnight Express, Bugsy Malone and Chariots of Fire. Well, we all have to start somewhere!

Oh my GOD! What an AMAZING movie! "The Wild, Wild World Of Jayne Mansfield" is an exploitation movie lover's dream come true! When i first saw this, my jaw DROPPED to the floor in utter amazement! As soon as I heard the zippy little title music and cheesy-cute opening credits, I had a feeling this was going to be interesting...but I was completely caught off guard when the breathy narrator announced "Hi! I'm Jayne Mansfield" while watching grainy black & white footage of Jayne in Rome! WHAT!!???!!! The movie proceeded from there and I was stunned by the audacity of the filmmakers as they carve out a pseudo mondo movie out of literally NOTHING!!!

This movie was made AFTER Jayne was dead. Whoever put it together was a GENIUS and deserved an Oscar or SOMETHING! What you get are, what appear to be, HOME MOVIES of Jayne on vacation in Europe, a wonderfully FAKE Jayne Mansfield narrator, an obvious stand in (especially noticeable in the early black and white scenes where she's walking down the Via Veneto in Rome, looking through the Playboy magazine, and entering her hotel),shamelessly silly nudie filler scenes (which are all connected via "Jayne's" ditzy explanations),etc!

You will HOWL with laughter as Jayne, on a nudist island off of the coast of France, splashes her toes in a stream. The cool water running over her toes reminds her of other times and other feet! WHAT!?! Yes, she has segued into a memory of a risqué theater performance where only feet are on stage! It's tacky stuff...but for a memory, it's strange that Jayne is NO WHERE to be seen!

While in Paris, follow Jayne, on the top of the Arch de Triumph, as she takes a secret passage that leads into Paris' swinging underground nightclub for transvestites! (You enter from the top of the Arch de Triumph? HUH?? Whatever...) Then, marvel as Jayne, with amazing bionic-like super vision, spys on couples fooling around in a hotel room, a park, etc all from the top of the Effeil Tower with her naked eyes!

There's also a drag queen competition that Jayne is supposed to be attending. There is one quick flash of her seated in a booth...but it does NOT seem likely it's the same place. For all we know, it could have been film of her having a Grand Slam breakfast at Denny's or something, very craftily spliced into the other scene!

The most shocking and painfully funny bit, has the camera filming from a car's point of view. Suddenly, the car seems to loose control! There is the screeching of breaks on the asphalt, and the car/camera go careening toward some trees! EEK! We then cut away to REAL photographs of Jayne's deadly automobile accident. She slammed into a big truck. Here in the heck is the TREE we, the audience as Jayne, just slammed into? And before you can look away from the crash shots, we are suddenly getting a tour of the inside of Jayne's gaudy mansion (with it's heart shaped pool, sink, and bed) by Jayne's ex-husband Mickey Hargitay!! (Does that place still exist as is? Man, I'd LOVE to see it! It's incredibly TACKY!!!)

There is just SO MUCH this movie throws at you---it's stupdefyingly bizarre!

I LOVE it! You get an interview with a supposed Jayne Mansfield look-a-like female impersonator, a topless female band performing, a best-breasts competition, and strip-tease lessons! There are also film clips of Jayne in "The Many Loves of Hercules", "Primitive Love", and nude in "Promises Promises"! Although the film gets a bit bogged down with all of the topless filler towards the end (did they run out of cutting room floor clips of Jayne??),it's still an amazing cinematic achievement. The filmmakers have literally taken NOTHING and created a mondo MESS-terpiece of exploitation genius! Jayne would have been proud!

After the death of Mansfield in 1967 this weird piece of film was cobbled together from footage shot years before her death. The idea is that its a record of Jaynes world tour. The trouble is that nothing happens. Jayne and or her body double walks around Europe and America as she visits odd spots like a gay night club or a nudist island. We get a breathless Jayne like imitator speaking about her trips and life in a dumb blonde sort of way.

Worse is the fact that there wasn't enough footage with Jayne to make a movie so sequences are used from several of her films, stills from her Playboy spread and other cheese cake shots. Other sequences were filmed and reaction shots of Jayne were inserted. This is fine for awhile but once the film gets to the halfway point I hit the fast forward since things became duller and duller since it became more clear that this was a greed production.

Of course the kicker and the reason that the film remains in the minds of bad cinema lovers is the last ten minutes. A screech of tires and the camera shakes as get to witness the accident photos of Mansfield death drive. Sure they're black and white but they are ghoulish. More ghoulish is the shots of her ex husband Mickey Hargitay and her sons walking around her home forlornly as news reports of the accident are played on the soundtrack. Where the hell did this left turn come from? This is a rather minor mondo film, that is both less and more interesting in that the one death it has is of its star. But outside of that there isn't much to recommend it, except that there are worse things than the first half of this film.