Not that this isn't a very respectable effort overall, and an atmospheric midnight movie. It manages to be both somewhat old fashioned and somewhat modern. The filmmakers aren't afraid to jazz up their production a bit with some violence and nudity, but never go overboard, always maintaining a mood of doom and gloom until its dark twist ending. Alvy Moore plays it pretty straight as a professor who ventures into swampy territory, with some students in tow, to do some psychic research while a killer is claiming nubile local girls. Thordis Brandt is buxom blonde Anastasia, a psychically gifted "sensitive" (yes, the word is used as a noun here) and the granddaughter of a witch, who will help them obtain details, and Anthony Eisley co-stars as our studly hero Vic. Meanwhile, a local Satan worshipper, Luther the Berserk (hulking John Lodge),senses Anastasia's potential and plots to use her for his own purposes. "The Witchmaker" is one of a few productions put together by Moore and contemporary L.Q. Jones, above average genre films that managed to be both intelligent and creepy. These also include "The Brotherhood of Satan" and "A Boy and His Dog". The movie does have a wonderful "late show" sort of appeal, and does have some very nice moments, but they're spread sort of thin at first, as the film gets bogged down in talk and just sort of plods along. However, it does ultimately start getting better, and more interesting in general. It becomes quite fun when Luther starts inviting all manner of witches to his abode, some of them played by the likes of Sue Bernard ("Faster, Pussycat! Kill! Kill!"),Patricia Wymer ("The Babysitter"),and TV horror host Larry "Seymour" Vincent. Also appearing are character actor Burt Mustin, and Helene Winston, who also acted in "The Brotherhood of Satan" and "A Boy and His Dog". Lodge is the most fun as the villain of the piece, a part that John Davis Chandler was originally tapped to play. Moore and Jones are the executive producers, and William O. Brown is the writer / producer / director. The film does benefit from the music score by Jaime Mendoza-Nava, although some viewers could find the lighting by John Arthur Morrill to be too murky. The undeniable highlight of the entire thing is seeing Brandt run in slow motion while covering her ample bosom with her hands. Worth seeking out for die hard horror fans eager to discover the lesser known efforts of yesteryear, "The Witchmaker" is interesting viewing as far as witchcraft cinema goes. Seven out of 10.

Although I guess it's the studio releasing the movie who's getting the money. If you are into witchery there are some nice scenes and some neat story development. There is a lot of downtime in between some better scenes, but I can't really recommend you watch just the beginning and the end now can I? No I won't of course.

But it's up to you and maybe the trailer (that I didn't watch) has the best moments in it anyway. Check it before you waste your time (probably). Otherwise don't say you weren't warned.

THE LEGEND OF WITCH HOLLOW is a cheap and cheerful US horror flick about witchcraft in the dark swamps. It has a local, amateurish feel which works well in its favour I think, and the witchcraft antics are certainly more authentic than as depicted in the likes of Ted V. Mikels's BLOOD ORGY OF THE SHE DEVILS. There are faults here, mostly in the overacting from the villain characters who get way too much screen time, but at other times this is surprisingly decent.

The best thing about this film? The setting. This really was filmed in Louisiana and you just can't fake those kind of locations, as Walter Hill found out when he made his exemplary SOUTHERN COMFORT. There are some memorable interludes along the way, includes hints at the kind of elements that would dominate the genre a few years later, with the most talked-about bit being the topless girl running in slow motion through the woods. If you can get over the mannered acting, dated fashions, and overacting, you might well find this an atmospheric little chiller.