The storyline concerns a successful novelist who is hired to come to a French town experiencing a post shipbuilding industrial decline to give a workshop to a half dozen young adults (late teens/early 20s) on developing writing/creative thinking skills. Not clear if it's to help develop the youth's futures, or to become writers, or learn cooperative skills, or become well adjusted. The author encourages them to "Do research to make your fiction more real." Good potential for some insight on writing, but what we get for the movie is a lot of immature antagonistic aggressive back and forth from the group which leads me to believe the movie is more about exposing the differences amongst them (racial, gender, religious, political). Some cooperative understanding did surface, but a lot was left unclear which probably mirrors life.
Plot summary
Antoine has agreed to follow a writing workshop where some young people in insertion must write a black novel with the help of Olivia, a recognized novelist. The work of writing will bring to life the working-class past of the city. Its shipyard is closed for 25 years, a nostalgia that does not interest Antoine, influenced by the anxiety of the present world.
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French society under the microscope
For those who have seen Laurent Cantet's previous film 'Entre les murs', his new movie 'L'atelier' can have a 'déja vu' effect. Both films share the same concept: a group of French teenagers from all walks of life, brought together under the supervision of an adult, talk about their lives and what's going on in society. 'Entre les murs' was almost entirely set in a school building, 'L'atelier' shows a creative writing workshop in La Ciotat, a town on the Mediterranean coast near Marseille.
There are many similarities between both movies, but also many differences. 'L'atelier' delves deep into the psychology of one workshop participant, and also shows the world around the house where the workshop takes place. In a way, it is more complex and deeper than 'Entre les murs'.
The location of the film is very important. La Ciotat is a town in decline, but the local population cherishes nostalgic memories of its past as an important ship building town. Cantet uses historical footage to show this glorious past. The shipyard is still there, but it is no longer in use. The resentment of the locals is a rich feeding ground for anti-immigrant politicians.
These problems will soon dominate the workshop, led by the elegant Parisian author Olivia Dejazet. The kids in the workshop think she is snobbish and doesn't really understand their problems, but she soon shows her teaching talent by coaching their sentiments and encouraging them to use those feelings in their writing efforts.
Dejazet is intrigued by Antoine, a provocative workshop participant who shocks with his extreme and cruel writing efforts. She wants to understand what's going on in his head, partly because she considers using this insight in her next novel. In turn, Antoine tries to analyze Dejazet's way of thinking by dissecting one of her novels. After a while the mutual obsession between teacher and pupil gets out of hand.
'L'Atelier' tackles the problems of modern French society in a very original way. The contrasts are numerous: the intellectuals in Paris versus the working class population in the industrial towns, the Muslim population versus the non-Muslims (the Bataclan massacre is one of the discussion subjects),and the ultra-right populists versus the socialist left. But the film is also a psychological drama between two strong characters, both played very effectively. Laurent Cantet has put French society under the microscope, and shows that there is a lot of dissent, but also much hope for better times.
Social thriller
Laurent Canter, the director, is mainly known for "Entre les murs". The start of this movie makes us think we will watch something similar. Instead of a class of teenagers, a workshop, with young adult. However, instead of describing the relationship between the members - one of the things he does best, Laurent Cantet focuses this time on one of the workshop participant and make this movie a social thriller. That young man is indeed disturbing for everybody - and quite disturbed.
Some scenes are working well, and we cannot deny that an artist trying not to repeat itself is a good thing. However the best scenes in my opinion still are the group scenes and the combination of thriller and social movie does not intertwin always completely and are sometimes working againts each other (the thriller loosened by the social part and vice versa).
The social topics are really topical, and relevant, and addresses quite well the issues young underprivileged women and men can meet in our society. It doesn't bring answers, it shows. It makes it possible for the spectator to try the different shoes the movie's characters are. In that regard, the movie is a success.