What a surprise to find this film available from Network on Air via Amazon. Norman plays a much calmer role than his usual Gimp character, and so shows a completely different side to his acting. and I must say what a wonderful script for this film as it was a joy from start to finish with some real twist and turns, Wisdom still had the chance to do some of his slap stick which he seemed to do the stunts himself. Picture quality of the new DVD was a mostly very good and was in full widescreen, although I would also love to see this released on Blu-ray as it must be one of Normans greatest achievements, I worked with the great man on a charity film "Cosmic Brain suckers" and had the chance to spend many hours chatting to him over the shoot, I found him to be a most charming man with immense talent but also for his ability to play many musical instruments and through one of his later TV performances in Going Gently about a man dying of cancer. a great and powerful performance in a strait acting role. Thanks so much Network for releasing this great film so we can all enjoy it after not being seen for more than 50 years.

You might have thought that every single film Norman Wisdom ever made had been on TV at least twenty times in the past five years. But this - his personal favourite - has been unseen on British television for over half a century (although it is thankfully now available on YouTube and DVD).

Chafing at the restrictions imposed by Rank, Wisdom made two independent productions (the second being a version of Wodehouses's 'The Girl on the Boat') described by Robert Murphy as "refreshingly unusual" released through United Artists for a company that promptly went bust (the former having already been swiftly withdrawn from cinemas following protests from the Americans at the way they were caricatured in it); leaving them in a rights limbo that has kept both off television for a generation while his Rank productions are on all the time.

Based on James Bridie's 1949 play 'The Golden Legend of Shults', directed largely on location at Darwen in Lancashire serving as mill town Sleeth-on-Sea by theatre director Stuart Burge; further enhanced by terrific photography by Arthur Ibbetson fresh from 'The League of Gentlemen' and slick editing by future James Bond director James Hunt it all builds to a memorably explosive conclusion.

An excellent supporting cast (with venal authority embodied by Andrew Cruickshank rather than Jerry Desmonde) includes blonde bad girl Jean Clarke, little seen thereafter, and - in only her second film - an appealing young brunette named Susannah York, much seen thereafter.

While there are those who are left cold by Norman Wisdom, I am not one of those people. In fact, I am quite fond of him. There Was a Crooked Man is my favourite film of his, and he couldn't have been more perfect here in his role as he teams up with crooks to outwit the mayor of a northern town. His role here allows him to maintain his poor but honest persona and his wide eyed innocence that makes him so endearing to me, but it is probably the most versatile of his roles as well. There Was a Crooked Man benefits further from striking filming, quirky music, fun direction and sparkling dialogue. In terms of performances, Wisdom makes the film for me, but he has some excellent foils also in the form of Alfred Marks and Andrew Cruishank. Then there is the comedy, There Was a Crooked Man in my opinion contains some of the best things Wisdom ever did. The bank robbery, the battle with the factory machinery and Brian Oulton taking a shower unaware that Wisdom is in the stall with him particularly stand out. In conclusion, a divine comedy and my favourite of a talented performer. 10/10 Bethany Cox