A bath architect from ancient Rome keeps drowning and appearing in baths in modern Japan, get back to his own time and recreates the baths of the modern world in the best ways he can. The film is as crazy as it sounds from the plot and manages to be hilarious throughout. I didn't mind the minor problems it had in terms of the production. White actors speaking in English being dubbed over, while Japanese actors cast as Romans speaking Japanese looked weird and there were some special effects that were a bit tacky but it all went with the tone of the film. The recreation of ancient Rome itself has been done pretty well. The concept of innovation and the morale of the public psyche being connected to baths is not something you associate all the time but it does make sense. I love these types of crazy storylines.
6.4Plot summary
Ancient Roman architect Lucius is too serious. His inability to keep up with the fast-moving times costs him his job. When a friend takes the dejected Lucius to the public bathhouse to cheer him up, Lucius accidentally slips through time and resurfaces in a modern-day public bath in Japan. There, he meets aspiring young manga artist Mami, along with others of the "flat-faced clan". Shocked by the many inventive aspects of Japan's bathing culture, Lucius returns to ancient Rome and garners tremendous attention when he implements these novel ideas back in Rome. As he time-slips back and forth between ancient Rome and modern-day Japan, Lucius' reputation as the ingenious, new bath architect begins to grow.
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Only Japanese can come up with these kind of ideas
A gleeful if frivolous potboiler mines into Japan's prevalent kuso culture
Whopping temerity abounds in Hideki Takeuchi's THERMAE ROMAE, an adaptation of Mari Yamazaki's massively popular eponymous manga series, which is parlayed into a gigantic box-office smash hit, Japan's second highest-grossing domestic film in 2012 and also spawns a sequel.
In this time-travel cock and bull story, an Ancient Roman architect Lucius Modestus (Abe) multiply stumbles upon present world in Japan through magic watery portals which the movie gives no explication whatsoever. Lucius takes his cue from mod cons to improve his design of Roman baths, which is pertinently yoked to the historical process of the Roman Empire under the reign of the peripatetic Emperor Hadrian (Ichimura),not only does Lucius' copied private bath console the emperor's loss of Antinous in 130, but his discovery of therapeutic hot springs is able to miraculously heal the wounds and dissipate the fatigue of jaded Roman warriors as well, which in turn, secures Antoninus (Shishido)'s standing as Hadrian's successor, to the chagrin of the obnoxious skirt-chaser Ceionius (Kitamura). It is all thanks to Japanese bathing culture, that human history doesn't go astray in the wrong hands, temerity, yes, but also innately droll....
read my full review on the blog: cinema omnivore
If ancient Roman would come to modern Japan.
I felt the humor of the original comic was depicted in the movie faithfully! A ancient Roman architect named Lucius was led modern Japanese bath house, sentoh. There he got some ideas of Romen bath architecture, Thermae Romae. He called modern Japanese flat-faced people. That way to call was very funny! Also Romen people were played these Japanese actors have distinct facial features, Hiroshi Abe, Kazuki Kitamura and Masachika Ichimura. So an actress of heroine couldn't find them in true European extras. I felt like the ending was twisted. But I liked it because it got to the point.