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To Sir, with Love II

1996

Action / Drama

Plot summary


Uploaded by: FREEMAN

Top cast

Sidney Poitier Photo
Sidney Poitier as Mark Thackeray
Neil Flynn Photo
Neil Flynn as Detective Dennis
John Beasley Photo
John Beasley as Greg Emory
Judy Geeson Photo
Judy Geeson as Pamela Dare
720p.BLU 1080p.BLU
851.03 MB
968*720
English 2.0
NR
23.976 fps
1 hr 32 min
P/S 2 / 8
1.71 GB
1440*1072
English 5.1
NR
23.976 fps
1 hr 32 min
P/S 0 / 7

Movie Reviews

Reviewed by The_Movie_Cat6 / 10

Flawed yet watchable sequel

Flawed but watchable sequel to the phenomenally successful 1967 movie. Probably the major flaw of this television sequel is it's tenuous links with the original. After cameos from Lulu and Judy Geeson, in almost every respect this could be an entirely different film. With Poitier as Thackeray plunged into a Chicago school, there is a nice mention of Blackboard Jungle by one of the teachers, but after that everything we've previously come to expect from a Sidney Poitier film is left at the door. While this movie does contain the sentimentality of the original, its short length means we never really get to know the pupils and so this feels forced. Also, unlike the original, there is no sense of redemption or development for the pupils, who act pretty much the same at the climax as they did at the start of the film. Where it veers far out of the expected range is in its depiction of street violence, which does give a genuine racial tone to the proceedings, and seems more natural than in some previous offerings. The racial dynamic between Poitier as the England-acclimatised teacher and Travanti as the student who leads a gang to survive is strong. However, the rigid morality of Thackeray this time around lends Sidney a limited set of parameters in which to reenact his role.

Reviewed by tavm7 / 10

Sidney Poitier once again shines as Mark Thackeray in To Sir, with Love II

Just watched this, the TV-movie sequel to To Sir, with Love, on YouTube just now. It begins back in London where Mark Thackeray (Sidney Poitier) retires after 30 years from the high school he taught where we first met him along with his now-former students played once again by Judy Geeson and Lulu. We then see him go to Chicago, my birthtown, where he will now be teaching a new bunch of problem students of various races. Do I get a sense of deja vu here? To be honest, nothing can touch the original in terms of charm and entertainment but Poitier is still a fine actor in his twilight years and the players playing his students this time do have their chance to shine. And this time, we get a little background on what Sir had been doing before that fateful time he first set foot in that English school so that's a plus. Since this was a network production with all that entails concerning standards, there's no realistic-like dialogue which would probably be pretty profane concerning the students but there's still some believability in the way these pupils put themselves out there in talking about themselves. And despite the limited running time with commercials being considered during each fade-in, director Peter Bogdanovich manages to make each scene count. So on that note, To Sir, with Love II is at the least worth a look. And since this is the last day of Black History Month, I probably will take a break from reviewing another film involving African-Americans for a while. But if you like my reviews and are reading this under my username, all I'll say now is watch this space for anything further I may comment on in the future...

Reviewed by michaelRokeefe4 / 10

A retired teacher's job is never done.

Academy Award winner Sidney Poitier reprises his role of Mark Thackeray. After retiring from thirty years of teaching in London, he returns to Chicago only to come out of retirement to take on the new challenge of teaching another classroom of misfits. This sequel does not pack the punch of the original, but is interesting if not predictable. Judy Geeson and Lulu reprise their original roles to send off their favorite teacher to America. Also in the cast are:Daniel J. Travanti, John Beasley, Dana Eskelson and Christian Payton. Kudos to famed director Peter Bogdanovich.

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