I am kind of surprised to see such low rating and bad reviews.

To be quite fair, I found the movie a fantastic entertainment. I hardly ever laugh so much during the film as I did yesterday.

First of all, I would not say that plot is nonexistent here. It is pretty chaotic, but that was the point here, and this is where the charm of Turtles lays.

I see it in a way as a parody of the detective movies with a simple plot (a crime happened, police is chasing them, the criminal is caught). Here we have no crime, the whole spying looks a bit surreal until the very end, the detectives talk nonsense most of the time, the clumsiness of the investigation is hilarious.

Many scenes look just random, but again this is why they are funny. Dancing hairdresser or the lottery with 'fabulous' prices might not add much to the development of the spy plot, but they help to create a great impression of a crazy life the main character is leading. It is the accumulation of the surprising elements and the unexpected that put the smile on my face.

You can also find bits parodying teen movies (Suzume crush on Katou, and their rendez-vous years later),and once again, I could not stop laughing how awkward, but how close to real life that was.

All in all, I think it is really worth giving it a chance, just sit back and relax, and if you don't expect a highly intellectual film, you might love it as I did.

Writer/director Satoshi Miki offers an amusing tale of a vapid housewife who is rescued from the monotony of feeding a turtle for her tanshin funin husband by being recruited as a spy for an unstated foreign power. Life gains meaning as she strives to hone her until now taken-for-granted ordinariness.

Juri Ueno as Suzume Katakura keeps it fairly reigned in, reacting with gasp of incredulity to the slightly surreal mayhem unleashed around her by the assembled well-known comedians. There is a dancing barber, a secret ramen genius, a tofu-making small arms expert, and her friend Peacock, the quirky, charismatic Yû Aoi, who wants to live in Paris with a Frenchman and a view of the Eiffel Tower. Aoi is a great talent and it is slightly disappointing that she is under-used here. Perhaps that is deliberate, to prevent her overshadowing Ueno.

The comedy is quick-fire and this is a series of loosely connected sketches rather than a compelling narrative. Production values are low and reek of micro-budget movie-making, but the comedy is funny so all is forgiven. The star here really is Miki's script and sense of comic timing (though more visuality and less narration would have been welcome). And a relief to see a J director with a sense of economy - the 90-minute running time is just right. Pleasant fare for those who share the director's light, frothy sense of humour.

This film's main attraction is Juri Ueno whose effortless charisma and charm make the film quite watchable if somewhat uneventful.

Ueno plays Suzume, a bored housewife who decides to train as a spy at the hands of a middle-aged couple. Some scenes are extremely effective, such as Suzume's attempt to order something so normal that the waitress won't remember what she ordered, but they are the exception rather than the norm.

The films moves along smoothly enough, including a de-rigeur chaotic climax with which the film concludes.

The film is enjoyable enough. Ueno is always a pleasure to watch, and the quiet charm of the film leaves you with a smile on your face.