An Indie Film isn't just a movie which is thought of as a limited budgeted venture without big shot studios at its helm. When one hears the term "Indie" one is instantaneously thrown off course. Watch Vengeance is Mine and it will forever change the way one perceives Indies.

Let me throw a few titles at you. THE DESCENT, THE BLAIR WITCH PROJECT, MEMENTO, THE PASSION OF THE Christ, MEAN STREETS & THE TERMINATOR are some of the most stringent budgeted productions seen in the past decades. Vengeance is Mine does not have an A-List director to its name as some of the titles mentioned above. Instead The director can be considered an amateur with comparison to the Coens, Scorsese or Cameron. But still Vengeance is Mine is one of the most absurdly intense and realistic movies of 2021. Slow off the blocks Vengeance is Mine progresses at a slow pace focusing on the mysterious growth of the troubled Harry who works in a ancient church in London who embarks on a journey of revenge when he is totally ill wiped for it. What happens to a man who holds another man at gunpoint for the first time? He hesitates, he doubts himself, he is afraid of the consequences and most of all he himself is afraid of the situation. This all what Vengeance is Mine is at its core eventually? I for one think so. Vengeance is Mine gripped me from the very start. Its sparse in dialogue which works positively since this leaves plenty of room for the audience thoughts and musings. Each nook is fine tuned to extract the scenes maximum potential within his strained budget. When Harry bleeds that's all that happens; he bleeds. When Harry cries that's all that happens; Harry cries. Unlike Colin Farrell or Tom Hanks in PHONEBOOTH or CASTAWAY there isn't much taking place in the backdrop. There is no police squad, there is no island. Instead its always back seat of a car, a broken chair, a wall or a field. Vengeance is Mine is a thriller that lets of its steam cautiously but certainly. It's like walking the plank.

Vengeance is Mine adds darkness to film noir. Because sometimes in noir -- no matter how hard that good leading figure tries -- the blackness is inescapable. There's the fate of the situation that the leading figure tries to overcome, tries to correct; he or she just wants to do what's right. And they do. I think our very lost hero here even finds his way. Why isn't that enough to free him? He's good enough to escape this awful cobweb of events. But there is no one spider who has spun the web. It's a stark, dark case of the way things are. This is not a "fun" film. It takes its subject very seriously. Vengeance is Mine grapples with moral issues and leaves the viewer still wrestling. In Vengeance is Mine's cinematography there are qualities of a first film, a touch of the new by Rami Bartholdy the dop. But this oddly enhances its quality and gives the story the air of a dream like drama. With all the rough edges and awkwardness of the surreal life. You don't know why. The story is too solid to answer its questions. Life is more like wrestling than dancing.

The person with the better weapon and the element of surprise, gets to tell the truth. Because they have the power, and the truth hurts like a broken bone. In the underworld of London, only the possibility of revenge and the telling of such truths stir an impoverished loner named Harry. It likewise motivates his intended target. In a brutal spree, Harry struggles to gain the upper hand over his adversary. In this insightful, vicious and unconventional tale, there are surprising twists and turns. Harry learns some uncommon and profound good sense. Capable acting, an enthralling story and intriguing sights and sounds, kept me at the edge of my seat.