Yes, we've seen the story of the detached journalist in a war-torn country who decides not to be detached anymore several times before (UNDER FIRE, SALVADOR). The difference here, however, is at least in films like UNDER FIRE, the enemy was one side of government. Here, the enemy is apathy, because while ethnic cleansing goes on, few care, and we see Henderson (Stephen Dillane) acts not only because he's moved by the child he rescues, but because almost no one else is. The line that perfectly sums it up is when the U.N. delegate calls Sarajevo the 13th worst place in the world, and American journalist Flynn (well played by Woody Harrelson) asks what 12 cities are ahead of Sarajevo, and if it's moving up or down.
I had problems with Michael Winterbottom's previous film, JUDE, because it felt like he didn't have a handle on the material. Here, however, though the story sometimes gets confusing, he is perfectly in tune with the story. A heartbreaking film.
Welcome to Sarajevo
1997
Action / Drama / War
Welcome to Sarajevo
1997
Action / Drama / War
Plot summary
American and British journalists Flynn and Michael Henderson, along with their respective news teams, meet at the beginning of the Bosnian war in Sarajevo. During their reports, the group find an orphanage run by the devoted Mrs. Savic near the frontline. Feeling sympathy, Henderson decides to take one of the children, Emira, illegally back to England.
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Heartbreaking story
A reporter who is not just here to report
Sent to Bosnia to report on the war in the early 1990s, a British journalist finds it hard to stay neutral in the conflict in this war drama from Michael Winterbottom. The film is based on the true story of a journalist who adopted a girl orphaned in the war. "We're not here to help; we're here to report" he is reminded early on, but can he just stand by and watch so many children devastated by war? 'Welcome to Sarajevo' is a noble attempt to shed light on a sad chapter in history seldom portrayed on screen, but it is also admittedly a bit of a mess. The story is very unfocused as it tries to cram so much war horror into the plot. The protagonist does not even meet and think about adopting the girl until nearly halfway in and even then there are few scenes of them bonding. His affection for her is never well conveyed and we barely get a sense of her desire to leave the country. Winterbottom's inexplicable choice to only subtitle certain portions of Bosnian dialogue is awkward too and the blaring music soundtrack never quite feels right. Stephen Dillane makes for a decent lead and the film provides an admirable snapshot of 1990s Bosnia, but the overall film unfortunately leaves a bit to be desired.
more advocacy than story
It's 1992 Sarajevo. Reporters are navigating the random everyday violence in the besieged city. Michael Henderson (Stephen Dillane) is a British ITN reporter. Jane Carson (Kerry Fox) and Annie McGee (Emily Lloyd) are the producers. Risto Bavic (Goran Visnjic) is their new fixer. Jimmy Flynn (Woody Harrelson) is the flashy hard-charging American reporter doing big stories. Michael starts doing stories on orphanages to shame the international community. He meets aid worker Nina (Marisa Tomei) who organizes an UN convoy to transport the orphans.
This is more advocacy than story. The real situation is devastating and needs to be told. The movie needs a more compelling cohesive plot. Stephen Dillane is a solid character actor but he's not really a movie leading man. Woody Harrelson is not in this that much and Marisa Tomei is in it even less. There are harrowing things happening in this movie. It uses news footage. It compiles a dark picture but the story is not gripping enough.