It has a well-put plot about becoming mature, growing up and figuring things out. It has the elements of Breakfast Club (youth, problems, growing up) but it comments on some ta-bu topics of today (can't imagine how it was 20yrs ago) Sandras' character takes part in great feministic fight in the art world. She mentiones the inequality problem a few times (hence mentioning white male author in every art museum). She stands her ground and wants diversity. Her character is not that complex but her fight is honest and real. As Amanda (Sandra) has her fight in the art field, Frenkie (Elizabeth Berrige) has hers. I loved the ending because Elizabeth, as well as the other characters, tells us not to stop fighting. She had been beaten and still puts a fight till the end. I love how her character works in a rough neighbourhood and doesn't give up. A true marvelous soul if you ask me.

All in all, it's a good movie, there are elements and themes that could have been talked about more but it's still worth watching.

I didn't come out of watching this movie very satisfied. Nor did I feel I wasted time. It was an interesting few hours spent looking into the lives of these characters. They were not well-developed, or necessarily consistent. Personally, I think the story would have been better off starting where the movie ended. There were late night chats that seemed to be thrown in for effect, but did not necessarily have continuity with the day's events. All-in-all, if you're a fan of Sandra Bullock or Fischer Stevens and like seeing actors early in their careers (or in some cases, the height) it's a relaxing, non-challenging way to spend time. Worth a watch if nothing else on and you don't want to clean the house or think too hard.

Yes, this is an ensemble piece, and a "year in the life of" type of film -- but a fine example of what can be accomplished in this area, for those who appreciate these works. Bullock does act well here -- she's not especially likeable, for several reasons -- but she's believable, and it's one of a handful of roles she's done exceptionally well. Fisher Stevens steals this show, however. And how! He's an entirely winning character -- among a bunch of twenty-somethings who haven't quite figured themselves out, let alone what they want or what makes living worth all the fuss. Many of them are interesting or quite appealing, all the same. Without Stevens setting the counterpoint, a person who wins at life whether he gets what he wants or not, someone who doesn't decide ahead of time what's supposed to happen and how people are supposed to respond to him -- without him in this role, it would be just another story of searching and/or alienation. Not that there haven't been some fine films of just that sort, but this is something more. "When the Party's Over" stands up well alongside such films as "Bob & Ted & Carol & Alice" and the Australian film "Bob's Party" (if I'm remembering the latter's title correctly here). Those films are superficially more entertaining, clearly more commercial, even more conventional -- and more about actual parties and sexual games than this one. But all of them share the same group spirit. In the long run, a decade or more later, it is Fisher Stevens' role as Alexander which lives on in my mind and heart more than any of the others. Nor will I forget Bullock or Rae Dawn Chong and their characters in this film. The story builds slowly, doesn't go where you expect it to or hope it will, but rewards those who are patient and observant.