This film is a bittersweet human-interest story with a side order of romance. The story has a country flavor, plenty of country music and a story that could serve as the film version of the typical lyrics of any country music CD. It is replete with bad decisions, bad luck and tragedies at every turn. It is sappy, corny, stereotypical, and unfortunately full of the types of things that really happen in rural America. Despite this seething despondency, it has an upbeat fatalism that suggests that at least for some of the people, the struggle against bad breaks and hard times pays off.

The story follows the life of Novalee Nation (Natalie Portman),poor young girl setting out to start a new life with her no account boyfriend. When Novalee makes a rest stop at a Wal-Mart in Oklahoma, he ditches her, literally leaving her there barefoot and pregnant. Having only five dollars to her name, she takes up residence in the Wal-Mart and ultimately has the baby there. She becomes a minor celebrity and she is adopted by the Welcome Wagon lady. The remainder of the film examines the various relationships and experiences she has in this small town over the next seven or eight years.

The story is charming and steeped in sentiment. The character development of Novalee is excellent, although Director Matt Williams could have spent more time on some of the supporting characters, especially Sister Husband (Stockard Channing). To his credit, the film was nicely shot, and the tornado scene was fabulous.

Natalie Portman's performance was her best to date. She played the part with a near helpless determination that made her a very attractive and lovable character. Her southern accent was terrible, but her portrayal of the rural southern attitude was on target. Though the part didn't have a lot of range, she was extremely effective with the emotional element, and elicited great sympathy and admiration for her response to her desperate situation.

Stockard Channing was wonderful as the eccentric Welcome Wagon lady. I would have liked to see this part expanded, just to see more of Channing. She was enchantingly warm and peculiar. James Frain was also very good as Forney. He made the character very interesting and affable. He continues to be a solid supporting actor who has shown himself to be extremely versatile (Hilary and Jackie, Reindeer Games, Titus). Ashley Judd added another fine performance to her resume, with a free spirited portrayal of Lexie.

This was a nice story with an agreeable and upbeat ending. I rated it a 7/10. Add a point if you are a woman or if you have ever lived in a mobile home. It will find its most enthusiastic audience with women due to its extreme sentimentality, but it is not so `female' that it can't be enjoyed by men, making it a good date movie.

Natalie Portman is superb here. If there is anything that this actress is brilliant at, it's giving thankless characters a lot of emotional depth. This film is intelligent and well made, that is often moving. It isn't the best movie I have ever seen, but there are a lot of things that I really liked about this movie. There was some detailed direction, but it is the performances from the likes of Stockard Channing, Ashley Judd, Joan Cusack and Sally Field, that take centre stage. The principal characters are well developed and meaningful, however I do have two complaints of this movie. One is that it is overlong, and sometimes drags with the subplots. Secondly, the uneven script disallows the more minor characters to fully develop as they should do. Still, it is a well performed and well intended film, that I will award a 8/10. Bethany Cox.

Pregnant Novalee Nation (Natalie Portman) leaves the trailer park headed for Bakersfield with her inconsiderate boyfriend Willie Jack. She has a fear of the unlucky number 5. He abandons her at a Wal-Mart in Sequoyah, Oklahoma with $5.55 in her pocket. She is mistaken by eccentric local Sister Husband (Stockard Channing) for somebody else. She is befriended by photographer Moses Whitecotton (Keith David) and Forney Hull (James Frain). She starts living in the Wal-Mart and her daughter Americus is born in the aisles. She becomes an instant celebrity and befriends her nurse Lexie Coop (Ashley Judd). Her mother Mama Lil (Sally Field) comes to steal her money and abandon her a second time. She finds shelter with Sister Husband and a job at Wal-Mart. Meanwhile Willie Jack is arrested with a minor and writes a hit song. He becomes a music sensation until it all crashes down.

Natalie Portman is adorable but this movie is overloaded with random quirky characters and wacky incidents. This movie needs a great deal of simplification and my first cut would be Willie Jack's story. There are some endearing moments. I love Lexie's story about her new boyfriend Ernie who gave up his 1967 Chevy Camaro to gain custody of his stepdaughter. It's a simple story that tells so much. This is one movie where a cold-hearted hand needed to take control of the novel's conversion onto the big screen. It's trying to squeeze too much into the movie.