I had the pleasure of seeing this film at the Bahamas Film Festival and was truly amazed by this film. It is an autobiographical retelling of Enrique Pineyro's (Director/Writer/Lead Actor) real-life experience as a whistle blower against the corrupt corporate and government practices regarding airline safety and regulation in Argentina. It is a brave and extraordinarily powerful story. Pineyro beautifully depicts his love for flying. As a pilot, Pineyro faced unbelievable pressure to perform under duress with poorly functioning planes and an administration more concerned with the bottom line, then the safety of its human cargo. Both lyrical and troubling the film weaves in and out of Pineyro's experience which culminates in the sad aftermath of the famous LAPA plane crash of '99 in Buenos Aires, which Pineyro himself predicted, resulting in the deaths of 37 people. Pineyro's story is fascinating. The cinematography and score is simply captivating, and the performances by all are top notch. His ability as a director and an actor is incredible. I beseech you all to see this film. Bravo Enrique.

First, sorry for my poor English, as it is not my native language. The movie is a rare gem in Argentine filmography. Thrillers, action and movies that are mainly on complex machines are not typically filmed or produced by Latin American countries, even when the subject of the movie may have taken place in these latitudes (Alive! was filmed by Canadians in Canada on an epic true story that took place in the Argentinian-Chilean Andes). So, this is a denounce of the epidemic corruption in the Argentina of the 90', told by the man that plays as himself and revives for us some of the same ordeals he lived in real life when he was an airline captain. THIS is the unique thing about this movie. It is very well done, and as pilot, I can tell that the technical side is perfect. No cheap or even expensive mock ups. All is real. The simulator sessions are simulator sessions, and the airborne scenes are filmed during real flying in the cockpit (except a passenger cabin short scene, that I read was filmed in a crew training mock up). Excellent photography that immerse the spectator in places that earth bound mortals do not usually visit. No wonder why this movie won so many prizes: apart from the political and critical intentions, it is a good example that excellent products of this kind can be made without zillions.

I think there's something very beautiful in making true declarations but in a way of a movie with a story and not precisely a documentary. "Fast Food Nation" is a perfect example, but it's from the United States. Enrique Piñeyro's "Whisky Romeo Zulu" is from my own Argentina, and it's a piece of the bravest and most encouraging nature.

See, Piñeyro was a pilot working for an Argentinean flight company. This company had problems with safety: they didn't check their planes correctly; they didn't give enough vacations to their pilots and many other things we discover through Piñeyro's eyes that, if you are Argentinean, you'll probably recognize. This is a story of popular knowledge in my country, but it was never viewed from this perspective: from the inside; from the guy who warned the tragedy.

Piñeyro got suspended and what he loved the most was taken away from him: flying. How he shows this in the film, how he places every character with an immense degree of reality is what's brave about the film; how his camera shoots the sky and the clouds (clear and peaceful, with love) is what's beautiful about his decision of using cinema to express his feelings.

There are details of his work that are worth analyzing. His screenplay for example…It has him as the main character, as himself, but it's so wonderfully crafted that we never get to listen to his real name, because he's always called by his rank or by people who already know him in the story and don't need to call him by name.

A special mention has to go to the technical team, led by assistant director Emiliano Torres. He and all the rest are well recognized professionals of their field, not only in Argentina but internationally.

In terms of performances, the film's cast includes big important national stars, respected actors. It is sort of a 'dream cast', but to describe them individually does no good with a film like this. The only crucial performance in "Whisky Romeo Zulu" is Piñeyro's…His character and he are the same person, but is he emphasizing this in his performances? I can't tell, but his work is the most natural I've seen this year.

Well, maybe there's another crucial performance in the film, played by the always superb Mercedes Morán. But her role is so unexpected and part of a romantic subplot that's so well placed in the film's plot line, that telling anything about it would be a sin.