Greetings again from the darkness. You have probably not met anyone like Sophia. I certainly haven't. She's a Korean-American performance artist who uses various personalities/characters in her "act". She also lives alone in Los Angeles, and bikes everywhere ... collapsing after a full day that consists of some mixture of delivering public diatribes, crafting her latest bizarre YouTube video, fulfilling her current TaskRabbit assignment, or trying to connect with a fellow human being - one that's not someone else's toddler requesting a horseback ride.

Sophia is played by Vivian Bang, who also co-wrote the script with director Daryl Wein (co-writer with his now-wife Zoe Lister-Jones of LOLA VERSUS). Ms. Bang is herself a performance artist, so we can assume much of this is cultivated from her daily life. As Sophia explains to her mother in one scene, "It's not art that people can buy." We first see Sophia screaming silently into the portable P.A. system she totes around while sporting a snow white wig and white jump suit. She is standing in the middle of a grocery store and then proceeds to tell "her" story about immigrating to this country (it's a story, but not really hers). The shoppers mostly ignore her. You might question why she is screaming silently or why she picks a grocery store (or public park) as a venue. The answers unfold slowly.

Sophia has multiple interactions with Victoria (Nana Ghana),an African-American photographer of roughly her same age. The two women hit it off, with Sophia being very attracted to Victoria. As their friendship builds, and "signs" possibly misconstrued, Sophia admits to learning English by watching John Hughes movies - explaining her Valley Girl accent and overuse of "like" (a disservice to Molly Ringwald). The chemistry between the two actresses is terrific and we actually would have enjoyed a bit more, especially after yet another bombshell rocks Sophia's world.

An awkward movie audition, the use of cheese puffs and powdered sugar for YouTube videos, and a misplaced confrontation with a former lover/partner all lead us to better understand Sophia (and Ms. Bang) seeking validation of her work. On a couple of occasions she says "Can you hear me?" We might be trying, and Ms. Bang might have something of value to offer, though this film merely offers a tease. We sense there are similarities to the very talented Miranda July, only with differing missions. The excellent soundtrack is an added plus, and we will just have to sit quietly (without screaming) to see where this takes Vivian Bang.

Any mildly neurotic to severely psychotic artists out there? Hm, yes, the target audience for this one is going to be tight. But if my title fits you, or if you're somehow trying to figure out how to deal with one of those types, then this will be a real treat.

"White Rabbit" follows 2 weeks in the life of "Sophia" (Vivian Bang) who is a freelance performance artist in LA. Or as she explains to her mother, "I make things you can't sell." Over the course of 2 weeks we witness her professional crisis, relationship crisis, and an overall life crisis in a very quirky and personal way. Although imdb lists this as a comedy drama, don't expect any gags, punchlines and LOLs because it's not that kind of comedy. It's more like the comedy of real life where there's no laugh track to our disasters, but objectively looking at it, it's just bizarre enough to be funny.

The interesting angle is that Sophia is a 1st generation Korean American who is trying her hardest to spin a racial discussion even though none exists. For example, one of her routines is a dramatic monologue about the LA riots and the media's coverage of black-on-Korean violence. Yes, 15 years prior. As such, her audience (strangers in the park) react with a mix of lukewarm politeness and complete disregard.

As the story unfolds, we see a similar attitude she has in her relationships (fabricating drama that doesn't necessarily apply). And ultimately we realize that Sophia is the perfect personification of passion without direction, or perhaps the Shakesperean "sound and fury signifying nothing". Still, we are instantly hooked, wondering if this girl will pull herself together or if it'll end in "the way to dusty death."

I thought the acting was fantastic all around, with real world type dialogue (such as people talking over each other, or not necessarily finishing sentences),giving this film a very personal and familiar flavor, as if we're hanging out with friends.

There aren't too many flicks like this, but I might group it alongside other quirky dramas like "Punch Drunk Love" or an obscure 2009 gem about misdirected artists & musicians called "(untitled)".

Not too sure whether the character or the script writer was confused. it's looks like a comedy at first but it looks like the overall theme around mental health. cool visual but seriously i could not recommend this to anyone