Brothers is something we may have seen before - if not in its original incarnation from Denmark in 2004 then The Deer Hunter - then it is something that surprises just on the vulnerability, subtlety and ferocity of the actors in their roles. It's not about what the trailer pushes, which is an affair between a guy (Jake Gyllenhaal) and his sister in law (Natalie Portman) while the one guy's brother (Tobey Maguire) is away at war. There is one scene of that, but that's not really what the film is 'about' per-say. It's about the personal affects of war on one man, a horrific tragedy that befalls him, and how he has to live with that the rest of his life, specifically in front of his wife and children. Maguire's Sam says it simply towards the end: "Only the dead see the end of war. I have seen the end of War. How do I go on living?"

If I may have spoiled the message of the movie- and in its own microcosm way it's as anti-war (or perhaps just anti-torture) as it could get in modern movies- it shouldn't detract from the pleasures of Brothers. This is seeing the actors- Portman, Gyllenhaal, Sam Shephard, especially Maguire- fill in these characters with enough depth and passions and fears and desires and ghosts that make them more than real to us. That's not just their achievement but director Jim Sheridan's. He lets his players breathe life into characters who, while not wooden or two-dimensional by any stretch, need that extra push as seen in David Benioff's characterizations and scenarios. Family life, its fragility and it's equal amount of love and self-torment, is what counts (again, Deer Hunter),and it's this that works in the film.

A word though about Tobey Maguire. I'm not the only critic pointing him out, and it goes without saying he's not the only worthwhile actor in the cast (there's even performances by the girls playing Sam's kids that are extraordinary). But it's the transformation that really counts. Perhaps it's noteworthy that both brothers do transform in the film, as Tommy, the ex-con, goes from being a drunken nobody to stepping up to help his brother's barely-holding-it-together wife after the news that her husband is dead, while Sam is in the downward spiral. It's crucial too that Sheridan shows those scenes in Afghanistan that cause Sam to change so radically as he does (the way they're inter-cut in the at-home narrative is a little uneasy, one of the flaws of the film),so that we see a good person shrunk down to his deepest, darkest depths.

When that last third comes around, it's electrifying how intense Maguire can get, even when he's just in his insinuating mode ala Jake LaMotta of accusing his brother of adultery. For anyone just looking at Maguire as Spider-Man's Peter Parker must give this a look to see his range; indeed a double feature of Brothers and Seabiscuit will show how Maguire is one of the most underrated actors under forty in Hollywood. If the role calls for it, as it does here, he goes to town, a you-can't-blame-him Oscar bait performance.

I have the great fortune to have never had to be in the situation these men find themselves. I think the movie's strength is in showing us what war can be and what a tortured soul can be. Some have said what they would do in this circumstance. Perhaps some would have been dead heroes. This guy wasn't. He ultimately succumbed and paid a tremendous price. The movie wasn't meant to be a John Wayne thriller where a man walks through a hundred machine guns trained on him. It is about someone locked in a hole for months and it's about what could happen to (has happened to) people like him. I do agree that the military would have intervened with psychological counseling and debriefing before sending the young man home again. Nevertheless, if you believe that this kind of resolution is possible then the acting and directing are really very good.

Most war films, particularly those made decades ago, glorify war and seldom, if ever, talk about the true cost. Think about it....it's hard to imagine John Wayne or Jimmy Stewart breaking down and sobbing after a battle! But there is a reality to war, the psychological trauma, that just isn't talked about enough...especially since it doesn't just hurt the soldier but their families as well.

In "Brothers", the film begins with a real black/white situation. There are two brothers...a good, honorable one and the other a jerk who's just gotten out of jail. But life is rarely black and white...and over time, the 'bad brother' (Jake Gyllenhaal) manages to do something with his life while the 'good one' (Toby McGuire) goes off to war and it emotionally damaged to such a point that he's a danger to his family.

This is a tough film to watch. If you've been through war or had family members affected by PTSD, this film might even be tougher to watch...to the point where you might want to watch this with someone and have some Kleenex handy. But I think this is a good thing. The film is wonderfully crafted and acted...but brings attention to our veterans and their plights.....plights which are certainly understandable considering what they've been through. A very good film...well worth seeing.

By the way, this is a remake of a Danish film...which I have not seen but plan to see.