DISAPPEARING ACTS is the 2000 HBO TV movie, based on the novel by Terry McMillan (WAITING TO EXHALE)that examines the relationship that develops between an uneducated and unemployed contractor (Wesley Snipes) and a music teacher/aspiring song writer (Sanaa Lathan) becomes extremely complicated when he gets her pregnant but is unable to support her. Sadly, this movie is an excruciatingly real look at relationships between black couples in society today (and before anyone calls me a bigot, I am black)...two people drawn together by sexual heat and think that this enough to keep them together until the realities of a relationship begin to rear their ugly heads, such as the the woman becoming primary bread winner and supporting both her and her man, but not wanting to give up the sex either. Not to mention the fact that these people are from two completely different worlds...Lathan's circle of friends are all intelligent folk with jobs who feel Lathan is being dragged down by a relationship whose only glue is sex. What happens between Snipes' Franklin and Lathan's Zora is not pretty, but it is undeniably real. It should also be mentioned that one unique aspect of McMillan's novel is that it is written in first person from Franklin and Zora's alternating points of view...one chapter is written by Franklin and the next by Zora, throughout the novel and this fresh perspective of looking at what happens to these people from both sides is lost in the film; however, Snipes and Lathan have never been sexier on screen and it is their chemistry that makes this movie watchable, even if you do end up taking sides, and, trust, you will end up taking sides.

At last, Wesley snipes starts to fulfil the promise he showed us in The Waterdance. It seems like he stopped acting for a while to become an action star, and here he proudly reclaims his ground as one of the finest actors on screen today. Sanaa Lathan is great as well, in a lovely small story of a relationship. That's all it is, and yet it holds and moves. The supporting actors are all great too- I particularly liked Regina Hall. The music is terrific- did she sing it herself? and the direction and script are all top-notch. Well done!

As much as I love a good romantic comedy, I must say that it was refreshing to get ahold of a great romantic drama. Nice to see that sometimes things don't always go smoothly like in the movies, and that some films are in touch with the people of reality. I loved the love/hate relationship of Wesley and Sanaa. They both played the parts so well, and my goodness.... wash my eyes, ears, and mouth with soap, cause the love scenes were off the chain.

I love Sanaa for many reasons, and she didn't let me down in this film. Once again, good to see an empowered woman in a decent script. Also nice to see a brotha that's not some high powered exec being able to get with a good woman. I'm rather tired of the old sucessful young man with a snob, and falling in love with the girl next door. This new, up-and-coming women falling in love with the man who made her floors is unique and a winner.

Despite ups and downs, in which I'll admit, I was very into the film and the characters - I was very pleased with the movie at its conclusion. It was not an outrageously perfect ending like too many movies I've seen, but had a real life tone to it. A feel good movie in a very different way.

One of the aspects that really drew me into the film was the musical soundtrack and the excellent use of photography for the film. There were several key scenes in which I thought the photography was so instrumental in providing me the viewer a different view of situations. Bravo to all involved in that process. As well, the music was superb, with a lot of great slow jams.

This movie isn't for viewers who don't enjoy romance/drama... it was in some sense a bit much for me, but I still enjoyed the film very much. Gina - another great film, Sanaa - I enjoy no actress more, Wesley - came through in the clutch. 8/10