Comparing to other Japanese dramas that I've ever watched, this film was quite unique. Unlike most other Japanese dramas whose atmospheres are quite refined and reserved, where the characters display their emotions and feelings in moderate and poetic manners that we often regard as a typical Japanese culture, the characters in "Hula girls" are pretty much straight forward in expressing their emotions and rather rough in manners. It reminded me of the atmosphere of old Sicilian village where Toto of "Cinema Paradiso" had spent his boyhood, where people are rough and tough in manners and sometimes even vulgar but still warm-hearted and have good humanity.
"Hula girls" is a heart-warming human drama. It will warm your heart in a little different manners from other typical Japanese human dramas. It makes audiences sometimes laugh and sometimes shed tears. It will make a wonderful family movie. Especially, I loved the last hula dancing scene where all the emotions, the joy, the sadness, the struggle and the overcoming are melted down and sublimated into a beautiful performance. It was really beautiful and touching.
Plot summary
In 1965 the planned closing of a coal mine in Iwaki (northeastern Japan) will put 2,000 people out of work with devastating effects on the community. The mining company plans to build the Hawaiian Center to promote tourism, but the idea meets with resistance by the community's union families who boycott the effort. However, a few of the young women in Joban see the call for dancers to possibly provide a more promising future. Norio Yoshimoto is put in charge of organizing the center, with Madoka Hirayama, a professional dancer fleeing creditors in Tokyo hired to train the dancers. Kimiko, her friend Sanae, and Sayuri are amongst the handful first showing up for lessons but soon others join them. When Kimiko's mother, Chiyo, discovers that she has skipped school classes to learn dancing the two argue and Kimiko leaves home. Her brother Yojiro, one of the newly out of work miners, comes to be supportive of her dancing as he becomes protective of Madoka. The girls start to tour neighboring communities and dance to promote the center, getting more proficient in the process. After secretly seeing Kimiko practice, and how good she has become, Chiyo helps gather heaters to save palm trees imported from Taiwan from dying from the cold. Her change of heart as head of the union's woman's organization shifts the sympathies of the community as the opening of the center nears. Madoka has molded coal miner's daughters into professional dancers, and Kimiko performs a standout solo dance at the opening.
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A Nice Family Drama
A round of applause and bouquets for the girls
My impression of the hula dance - random wave movement of the hands by tanned girls wearing straw skirts with a big flower on the head. That was before this movie.
The Hula Girls, a heartwarming comedy from Japan, tells about the craft, emotions and passion behind this dance. Being Hawaii has almost nothing to do with a depressed and cold mining town, almost devoid of colours and warmth. However, a group of girls from the conservatives to bespectacled obasan, decided to learn the dance to develop this declining town into a Hawaiian Village.
This is a daunting task to a Tokyo dance teacher (wonderfully played by Yasuko Matsuyuki) and a demoralizing act to the conservative skeptics in the small village.
A story about going against all odds may remind you of another Japanese comedy, The Swing Girls. Both movies boost great energy, lovely music and can put a smile on your face.
As Japan official's entry to the 2007 Academy Awards Best Foreign Film, The Hula Girls is not only entertaining, but motivational. It may be small in ambition, but big in what in can achieve to inspire people to chance, accept, fall and rise again.
It is funny and touching at the small time, pushing your heartstrings (and tear ducts) with the girls' triumph over people who do not believe in them, which includes themselves.
With its infectious energy and stirring movements, this hula dance deserves a round of applause and bouquets.
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Aloha meets Konnichiwa with Struggle, Understanding, Embrace
I saw 'Hula Girl' at the Toronto International Film Festival with the affable director Lee Sang-Il present.
This movie, based on the true story of how a dying coal mining town attempts the preposterous idea of building a taste of Hawaii in the cold town through dancing girls, a huge palm-tree filled centre and an 'outsider' dance teacher from Tokyo.
Almost immediately, you know that this movie will be about the town's struggle to survive pitting the traditional, town-encrusted family against those supporting a potential new way of life. I had thoughts of the Japanese version of 'Shall We Dance' ringing through my mind, but perhaps the dancing is the furthest you can compare between the movies. The emotional depth of the movie was somewhat unexpected...sadness, some corniness, some laughter. Yet the movie worked where it needed to, and kept moving at the right pace leaving me at the end feeling like I had seen everything that had happened. Except that at the end, I had been so entranced with the characters I was wondering how they, themselves turned out.
The movie pulled me in nicely with a strong story that was well developed and a really good watch.
If you're looking for something a little different, and open to learning a little bit about life in a small Japanese town in the 1960s, I think this gives you a good feel for the people, the attitudes, and a change that took grip in a dramatic and light-hearted way.
Kudos to the director and production team!