Despite there being some good Hallmark films from 2018 and liking almost all of the films released prior to 'Love, Once and Always' (especially the Countdown to Valentine's Day films),expectations somehow were not high. Despite it having a setting that hasn't been done to death by Hallmark, the story didn't sound that interesting and what little that has been seen of Amanda Schull and Peter Porte has mostly been on the fence at best. Sometimes though stories that don't sound appetising turn out to not be what is expected in a good way.

'Love, Once and Always' did absolutely nothing for me, despite a few redeeming merits. Of the 2018 Hallmark films up to this still early stage of the year, it was the only one that was worse than mediocre and by quite some way and by the end the 2018 Hallmark output ended it for me was easily one of the weaker faring ones in a very mixed bag of a year. Is it completely terrible? No. 'Love, Once and Always' however is very weakly executed in most (nearly every) areas and does nothing to make what was already not a promising concept appealing or interesting.

It is beautifully filmed and some of the locations are suitably picturesque.

The supporting cast do what they can in their roles and do quite well considering what they were given.

Which was pretty awful actually, a lot of cheese and awkwardness going on and all the supporting roles are underwritten. Can say nothing good about the two leads. Schull badly over-compensates, over-acting every one-dimensional emotion and looking panicked. Even worse is Porte as a really irritating character where his appeal is completely lost on the viewer. He is also very indifferent looking and wooden. The chemistry is non-existent, looking more like feuding siblings than a romance. Which is not fleshed out at all and has no charm or anything genuine about it, and both their characters are overboard unlikeable and annoying (Porte's especially) .

Furthermore, the script is continually stilted and toe curlingly cheesy, with a lot of forced banter. The story stretches credibility straining to the limit and exceeds it even, with too many things that don't make sense due to the excessive amount of jumping around. It also drags badly, due to too little content stretched out, and everything is easily foreseeable long before it happens (especially the contrived and by the end too pat final act). There is no suspense, charm or emotion. The music is not memorable and is too constant and intrusive.

Overall, very weak. 3/10.

This Hallmark romance is centered around real estate. But the house isn't that nice - definitely not real estate eye candy. Amanda Schull is cute - always been a fan. She and Pete Porte are okay together. They are ex couple who both jointly inherit an old house. She wants to preserve and he wants to sell and move on. When they agree to preserve the house and still have a Golf course there is a little misunderstanding. Not too bad.

Lucy (Amanda Schull) is the Director of Development for a London Museum. When she inherits the Wycliff Mansion in Rhode Island, where she spent her favorite summers, she travels to the U. S. to complete the paperwork. But she finds the situation is complicated; half of the estate is owned by Duncan (Peter Porte),the son of the property caretaker.

Each has a different vision for the property, which is in a state of disrepair. While they struggle to reconcile their differences, they must share the dwelling.

The two protagonists, who dated years ago, each work on plans to convince a developer that his/her plan is better. Lucy wants to preserve the historic property, while Duncan thinks the only practical solution is to develop the property as a golf course.

I have always been a fan of Amanda Schull ("Suits") and she enchants as usual in the role of Lucy. Peter Porte has a strong, affable presence that makes them a good pairing.

One cute scene comes when Lucy admits she is self-conscious of dancing. Those who have followed Ms. Schull's career know she started as a ballerina.

There is a wistful moment when Lucy says, "That's the great thing about history...it lasts forever." Since this film was made, those words have taken on deeper meaning, as recent history has seen the intentional destruction of many historic artifacts and the elimination of many historic names from the public marketplace of ideas.

If you like this film, you might want to check out another Hallmark film that has some similarities: "Autumn in the Vineyard".