Jacques Villeret delivers a wonderful performance in this charming, tender film, one of his best roles ever, only a year or so before he died. The young fellow (Jules-Angelo) is very good too, and supporting actors like Claude Brasseur and Michele Laroque are excellent too.

The story is about a young boy whose mother died in the glacier in mysterious circumstances five years before the film starts. At the age of 8, staying with his grand father, he is haunted by the questions about his mum "disappearing" in the mountain, "lost", words that mean to him that she may somehow still be alive.

Because grown-ups lied to him thinking he was too young to understand, at the age of 8 he starts to understand the meaning of the word "Death" but has not made the psychological journey to accept it was the fate of his mum.

It is with a new relationship with his grand father, that is, his link with his lost mother, and a journey back where she lived for the last time that he will be able to grow.

A real event is the background for the story, the wreck of the an Indian aircraft, the Malabar Princess in the French Alps in 1950.

Bought it on DVD recently. What a pity a film like this did not receive a wider audience.

Jacques Villeret is the best actor in the world, period.

Although his "Gaspard" (no surname) is similar to his "Jojo Braconnier" in "Un crime au Paradis", he never grows weary, nor do we. Such honesty is rare.

The film's plot is trite. Its development could be less melodramatic but. I didn't complete like Tom, the protagonist, but he's good at making and unbearably stubborn child not be hateable, but to understand his mourning and flights to fantasy (he's no angel, make no mistake). Claude Brasseur makes an eerily similar character to his superb role in "camping". Again, he's a man who loves cars, money and stereotypes a bit too much :),but he carries it off like if he was born for the role.

Clovis Cornillac is a young father who could be more convincing, but that's the story's fault, who shows him making completely different choices in the beginning and the end.

As usual with French films, the "country and the city" subplot is like a river, always full of energy. From the difference in vocabulary and "useful knowledge" to the way to educate/discipline children and treat women, all is different, and yet, as we're in a comedy of sorts, all is happily solved within a few minutes.

The technical aspects are fine. You feel the mountain, the cold, and the piano theme is perfect for the action. Not too romantic, but with feelings.

Nice for a Saturday evening.

When I hear the word "moving" about a film, I usually fear the worst in the form of sentimental, self-indulgent tripe. This movie skilfully steers away from those perils. Light-hearted comedy and fascination for death are mixed in this truly moving film reminiscent of the all-time French classic "Les jeux interdits".

The storyline: Tom is about ten and gets dumped on his grandfather Gaspard (Jacques Villeret),because his mother is dead, and his father is a train driver who is ofter away and cannot give the child the attention he needs. The grandfather lives at the bottom of the very glacier that swallowed up the child's mother five years before. Tom's troubled history is manifested by problems such as dyslexia and anxiety. These sombre themes are balanced by comedy, and by the endearing characters played by Laroque and Villeret. Claude Brasseur is excellent as a rather unsettling garage owner obsessed with finding the treasure hidden on the India Airways plane named Malabar Princess, that crashed on the glacier fifty years earlier (that much is authentic). Finding the treasure involves using dynamite, and on occasions he brings back human remains to be kept in bottles. The whole script is as if seen through the eyes of a child, with crude realism mixed to dream-like fantasies. Jacques Villeret's baby face and innocent outlook further contribute to anchor the film into the world of childhood.

The beauty of the mountain, the great white mass of the glacier makes for beautiful images and powerful symbolism. The troubled and troubling questions of the child about what happens to people who die in a crevasse culminates in the experiment he practices on stolen chickens shut up alive in the freezer ("you told me my mother didn't suffer, because she had a thick feather coat"). Despite all this, the tone is quite light-hearted, and quite appropriate for viewing with children.