A jewel in the rough. A small little movie with a great Edward G. Robinson. The loneliness of Triton is played with a big intensity by him. Story, actors and shooting of the film is both, film noir and drama of loneliness and being lost, quite as it is Woolrich's credo in a lot of his novels and screen adaptations. This is one of its best. Eight points.
Night Has a Thousand Eyes
1948
Action / Drama / Fantasy / Film-Noir / Thriller
Night Has a Thousand Eyes
1948
Action / Drama / Fantasy / Film-Noir / Thriller
Keywords: noirvisionfateheiressprecognition
Plot summary
After heiress Jean Courtland attempts suicide, her fiancé Elliott Carson probes her relationship to John Triton. In flashback, we see how stage mentalist Triton starts having terrifying flashes of true precognition. His partner, Whitney Courtland, uses Triton's talent to make money; but Triton's inability to prevent what he foresees, causes him to break up the act and become a hermit. Years later, Triton has new visions and desperately tries to prevent tragedies in the Courtland family. Can his warnings succeed against suspicion, unbelief, and inexorable fate?
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The spirit of Woolrich. Can you feel it ?
A man discovers he has the gift or the curse of forseeing the future.
I've seen this film only once & loved it! It shows just how versitile of an actor Robinson really was.
It tells the story of a man who discovers he really has the ability to see into the future. He becomes a recluse out of the fear that his predictions always come true. That same fear brings him out of reclusion when he seeks out the daughter of a woman he once loved to warn her of impending danger.
The only thing I dislike about this film? It never made it to video. For anyone that would like to see this film's plot, I recommend "The Clarivoyant" with Claude Rains.
Intriguing film noir with Robinson and Russell
According to "The Films of Edward G. Robinson", this entry in the 2008 Film Noir Series at the Egyptian on April 18, was pretty much dismissed by critics and the star itself. After all, this came right after his masterful performance in John Huston's "Key Largo", for which he teamed up with Humphrey Bogart for the last time. This film barely shows up in Gail Russell's bio, who's probably best known as John Wayne's co-star in "Angel and the Badman", the first time he utters "pilgrim", as that was what she played. However, "Night" did generally get a positive response with modern audiences. Director John Farrow, father of Mia, provided a good atmosphere and generally kept the narrative at the good pace. It begins with John Lund, the third name above the title, saving Russell from suicide. From there, they meet Robinson at a restaurant and who has already ordered exactly what they want. Then, he tells in flashback that he actually knew her parents quite well. As played by Virginia Bruce and Jerome Cowan, hey manage his clairvoyant act in which he actually gets glimpses of the future. In fact, he actually quits when an unfortunate event happens that I won't give away. Where he retires to is of special notice to old time Angeleno fans. He's seen going to his Bunker Hill residence from taking Angel's Flight. It is from there he brings the audience back to the present. Of special interest among the cast is William Demarest, who appeared in just about every Preston Sturges comedy during this time period. Playing straight, he's nevertheless is quite comical as the dumb police detective. The ending is actually quite well written. It has an intriguing twist and some of the best prose Robinson's voice was ever given to speak. A great film noir.