In the Northern Ireland, Johnny McQueen (James Mason) is the leader of an underground organization that needs funds to keep it in action. Johnny was in prison and has broken jail. His hideout for the last six months is in the house of Kathleen Sullivan (Kathleen Ryan),who has fallen in love with him, and her grandmother.

Johnny plots a factory heist to raise funds but the scheme does not work as planned and Johnny is wounded and kills a man. The clumsy driver of the runaway car panics and leaves Johnny on the street. The police organize a manhunt with a great number of policemen while Johnny's gang seeks him out. While trying to reach the hideout, Johnny is helped and betrayed while Kathleen and a priest try to find salvation for him.

"Odd Man Out" is a film about human reactions, feelings and emotions in a large scale manhunt. The plot is politically neutral and never makes any reference to the IRA or to Belfast and that is clear in the very end. Johnny McQueen may belong to IRA or to a mafia and this is not important for the film.

Carol Reed uses a magnificent camera-work associated to angles and shadows to disclose a gloomy thriller without redemption. The Brazilian DVD released by Cult Classic Distributor has no synchronization between images and subtitles and it is very difficult to follow the dialogs. My vote is seven.

Title (Brazil): "O Condenado" ("The Condemned")

Odd Man Out takes place in a period bad for the cause that the Irish Republican Army is espousing. It's after the end of the civil war in Ireland which in many ways was far bloodier and nastier than the original war for independence following the formation of the Dail by the members of Sinn Fein who withdrew from the British Parliament.

The Republican forces signed a truce out of sheer exhaustion, peace was necessary or there would have been no country left. Later on for goals like getting those six counties into the fold. Remnants of the IRA carried on, but with less and less public support. Remnants like the one James Mason is a commander of.

He's escaped from prison and the scars internal and external still show. His group is planning a robbery of linen mill payroll for money for the 'cause.' Unfortunately Mason kills a man, and is wounded himself and left behind by his fleeing comrades.

There's a big price on his head before for being a fugitive and now with murder added to it, the authorities will shoot first. The rest of the film is Mason's desperate struggle to stay alive and reach help and finding it not available.

James Mason said that Odd Man Out was his favorite film role and he credited Carol Reed's direction in giving him a career role. Best in the supporting cast is Robert Newton as the mad artist looking to paint him in the throes of death. The part calls for the kind of scenery chewing Newton was famous for and Carol Reed gives him just enough encouragement to get it right.

Odd Man Out led to James Mason's American screen contract with MGM after one more British production. It holds up very well today as a film about a man fighting for a cause that was losing enthusiasm among its believers, Mason included.

ODD MAN OUT is a well-remembered Carol Reed film from 1947 with a North Irish backdrop. The film it most reminded me of was the recent thriller '71 in which a British soldier was trapped in a hostile city and fighting for his life. This time around, an utterly sympathetic James Mason is a wounded IRA man struggling to hide from the authorities after a bodged bank robbery at the film's outset.

That ODD MAN OUT is a well shot film is obvious. It brings to life the troubles in Northern Ireland in a vivid and heartfelt way without ever preaching or taking sides. Real, fully-rounded characters are what this film is about and it works well because it. A large supporting cast allows Reed to explore various facets of the human condition and the foibles that affect mankind. Robert Newton in particular stands out as the larger-than-life painter who gets involved.

The film really belongs to Mason, who gives an impeccable performance even though he doesn't get a great amount of screen time. I was expecting this to be more of a suspense thriller when in reality it's something of a character drama, but the cinematography is very fine and the film as a whole thoroughly involving due to the aforementioned strong characterisation.