Two years before he wrote and directed "Arthur", Steve Gordon had a minor hit with his screenplay for this crackpot comedic vehicle for Henry Winkler, then-star of TV's "Happy Days" as the Fonz. A 1950s college thespian (and all-around jerk) woos a co-ed and gets married without any employment prospects on the horizon; to make ends meet, he turns to the flamboyant world of wrestling, eventually becoming a "Gorgeous George"-like celebrity. Turning likable Winkler into an obnoxious goof-off probably sounded like an interesting idea at the time (and a sure way to separate him from his television alter-ego),but the jokes and situations are often wrong-headed and mean, staged rather sloppily by director Carl Reiner. Particularly crude is a wincing bit involving Hervé Villechaize (of "Fantasy Island") putting the moves on Polly Holliday (Flo from "Alice"). As Henry's beloved, Kim Darby looks a little out of her element--particularly when surrounded by all these TV hams--rendering the romance aspect of the script inconsequential. *1/2 from ****

Despite the wacky promise of its earlier scenes (Winkler disrupting the amateur play) and Saks' breezily crude performance, plus the presence of the dwarf from James Bond, the script soon reverts to the usual domestic misunderstandings, underscored by Carl Reiner's stiflingly uninventive close-up after close-up direction.

Even the climax is disappointing, forcing Winkler to eke out a weak script by gross overacting. And why is the movie set in 1951? To show off the producer's old TV set? There's certainly no other sense of period involved. True, the movie does garner a few laughs here and there, but it would undoubtedly be twice as funny with careful trimming.

"The One and Only" is a movie that most likely had a difficult time finding an audience. It really is more a "chick flick" than a wrestling film. The first third relies on a lot of slapstick, but once Henry Winkler enters the ring, the frantic pace settles down somewhat. Quite a few character actors contribute, including Mary Woronov as a bar trollop, Henry Villechaize as a midget wrestler, and Gene Saks as a manager. The theme song "The One and Only" is quite good, as is the trip down wrestling's memory lane. Most of the laughs come from Winkler's enormous ego, and interactions with Kim Darby's Mother and Father (Mom and Tom). - MERK