"Another monograph?" says Dr. John Watson (David Healy),as he walks into the smoke-filled parlor at 221B Baker Street where he shares quarters with Mr. Sherlock Holmes (Ian Richardson). "Yes," says Holmes, adjusting a long row of burning cigars. "This is on the distinction between the ashes of the various tobaccos. So far, I have enumerated 93 forms of cigar, cigarette and pipe tobacco." This monograph, long thought lost, is now assumed to have been suppressed by the major tobacco companies in Britain and the United States.

With The Sign of Four we will encounter one of Holmes' most dangerous and resourceful villains in a story which features a one-legged man; a prison treasure map; a box of diamonds, emeralds and pearls; an Andaman native named Tonga with an appetite for raw meat; the second largest known diamond in the world, named The Great Mogul; the Baker Street Irregulars and enough bestial murder, greed and revenge to curdle the blood of the most innocent of young Victorian ladies.

The Sign of Four is the tale of the one-legged Jonathan Small and three other prisoners held in the British military prison on the Andaman Islands. They know where a fortune in jewels is buried there. Small's trust in Major John Sholto, the commander of the prison, is sadly misplaced. They help Sholto and Captain David Morstan locate the jewels on the promise that the fortune will be shared when they are released. However, Sholto takes the jewels back to London. When later Morstan arrives for his share, Sholto kills him. Sholto on his deathbed six years later tells his two sons of the treasure and insists that to wipe away Sholto's guilt. Captain Morstan's daughter must have Morstan's share. When one of the sons anonymously sends The Grand Mogul to Miss Mary Morstan (Cherie Lunghi),a trail of death and horror begins to work its way towards her in the person of the now-released Jonathan Small. With the animal-like Tonga by his side, with thick fog swirling through London's gas-lit streets, Small intends to have his vengeance...and all of the jewels. Only Sherlock Holmes, with Watson by his side, stands between Small and the frightened but brave and lovely Mary Morstan.

Executive producer Sy Weintraub arrived in Britain with the idea of making a series of made- for-TV feature length stories with Ian Richardson as Holmes. He managed only two, and it's our loss. This and the first film, Sherlock Holmes - The Hound of the Baskervilles, are given first-rate, exciting productions and good, tight scripts. A real pleasure in The Sign of Four is Holmes against a collection of side show freaks, including Holmes on a turning, ornate carousel trying to elude a poison-dart-puffing Tonga. Richardson is a fine and subtle actor who gives just a bit more warmth to Holmes than, say, Brett or Rathbone gave. I would be hard-pressed to say which I like best. Fortunately, it's possible to like all three.

"What a very attractive young woman," John Watson had said to Holmes as Miss Marston left their quarters after she met the two and pleaded for their help. He finds her so attractive that, in the fullness of time, she eventually will become Mrs. John Watson.

"Is she?" Holmes replied. "I didn't observe." We'll have to wait for Sherlock Holmes to encounter Miss Irene Adler for the next step in Holmes' personal development.

For fans of Sherlock Holmes, the two Richardson movies are well worth owning.

A handsome production, with atmospheric sets, picture-perfect casting and a welcome dose of humor, but somewhat spoiled by a few schlocky moments (like Holmes' fight with the cannibal dwarf) and an arguably wrong structure that reveals too much of the mystery, too soon. Still good for fans of the character or the genre. (**1/2)

I like the book very much, and love the Jeremy Brett version. This film was very entertaining and fresh, plus it was faithful while taking some strange liberties(ie. Small hiding the jewels in his wooden leg). The production values are excellent, the score haunting, the script well written, the river sequence superbly staged and the final solution magnificent. Then we have a great cast, Ian Richardon is suitably sly and sardonic which is what I mean by the adaptation's freshness, Cherie Lunghi is charming and David Healy is good as Watson. Joe Melia was the only disappointment for me, his Small lacked the wonderful understated approach that John Thaw conveyed so well in the Brett version. Then there are one or two scenes that are slightly lacking in atmosphere(Tonga wasn't as scary or as imposing this time around) and the direction is occasionally a little too slight. Overall, it is a good film and a solid adaptation. 7/10 Bethany Cox