Well, what can I say? That was something a bit different! If I had known in advance that what I was about to watch was a Japanese hip-hop musical about warring gangs in an alternate Tokyo, I suspect at least a few alarm bells might have gone off. The idea is so wilfully absurd that the movie could easily fall into car crash territory. But you are probably thinking that there is a 'however' coming up here and you would indeed be correct, as in the event Tokyo Tribe proved to be a properly exhilarating movie experience. The originality on display was pretty mind-boggling not just in terms of basic idea but also in execution. There is a story but I realised pretty early on that paying full attention to it was not really a primary requirement. Needless to say, I can't actually be bothered summarising the plot synopsis. What this one is resolutely all about is style over substance. For some viewers that is a cinematic crime but I personally think that we get a little too much 'substance' and not anywhere near enough genuine style in our modern movies. Tokyo Tribe is an example of a film that is great, great style and is pure cinema from start to finish.

Seemingly it was based on a manga comic, which isn't exactly surprising given the sheer insanity that unfolds on the screen. It has an extremely colourful aesthetic with great sets and costuming. The look is constantly interesting and surprising, a fantastic spectacle overall. But this crazy film also has most of its dialogue rapped as well. I hadn't even been aware of Japanese hip-hop before this so it was an education I can tell you. The style of filming with lots of long takes was somewhat similar to the style that many rap music videos adopted, so this is another disparate element mixed into the overall concoction. So what do we have here? Well, we have martial arts fighting (although not so much so that it gets overbearing),some good old fashioned sexploitation elements, a beat-boxing maid, a Mr Big gangster with an ever-present dildo, human furniture, a tank driving Samurai, a super-strong black henchman, (very) cute Japanese women of various shapes and sizes, some men with misguided hair-cuts, a wheel of death, a depressed youth in a hoodie who pitches up every so often like a Greek Chorus, comic-book violence and bling weaponry. There is even more going on than this as well but that's the best I can do for now. On the whole, this is a highly entertaining action-comedy-musical with a real energy and originality. This really does define the term one of a kind!

Shion Sono ('Love Exposure') started his career as a poet before entering film making. Here we have both talents to the fore. This is an alternative or futuristic Tokyo where the areas of the City are ruled and controlled by 23 gangs or 'tribes'. If you like 'The Warriors' then you will get this angle. They are all fairly distinct; except the thing they all have in common is rap music and hip hop (or hippitty hoppetty to the older out there amongst you). *May contain mild plot spoilers*. There is a lot of nudity on display with a plot line that seems to have forgotten to take its Ritalin and has let the imagination go wild – I was reminded a few times of the wonderful Peter Greenaway. The plot is all around taking control of Tokyo, sexual exploitation, cannibalism, sado masochism, bizarre outfits and hair styles and some 'wicked beats' – as the 'homies' say on the streets.

The characters are all over the top, there is tons of fighting – using everything from Martial arts wire work to blinged up AK – 47's oh yes and a Gatling gun. There is a lot of English used in the raps – mostly the profane sort but also some rather brilliant portmanteaus such as 'wan – ksta'.

It is endlessly inventive in terms of the violence and the props as well as the lurid imaginations of all the over the top performances.

This is enough to make you like hip hop – that is if you are not already a fan. Also I was a bit disappointed at first as I wanted this to be the usual type sci-fi violent film. However; once I had given it some time I just could not get enough. This is one I shall be raving about for some time to come. This is what cinema should do – excite, challenge, break the rules, make up some new ones and have a bloody good laugh – screamingly recommended.

'TOKYO TRIBE': Four and a Half Stars (Out of Five)

A martial arts/action/comedy/musical flick, spoken almost entirely in rap verse! The film has been described (by it's marketing campaign) as "The world's first battle rap musical", and it's based on the popular Manga series, 'Tokyo Tribe2', by Santa Inoue. It was written and directed by Sion Sono (who's probably most well known for helming 2013's 'WHY DON'T YOU PLAY IN HELL?') and it stars Ryohei Suzuki, Young Dais, Riki Takeuchi, Shota Sometani, Ryuta Sato and Akihiro Kitamura. The movie tells the story of a futuristic Japan, divided into territorial gangs; until one gang leader breaks the truce. It's one of the craziest, and most bizarrely original films, I've seen all year!

Sometime, in the not too distant future, Japan is divided into separate street gangs; each representing a different faction, collectively known as the 'Tokyo Tribes'. The leader of one tribe, Mera (Suzuki),decides to break the peace, and join forces with another ruthless gang leader, Buppa (Takeuchi). Together they wage war on another tribe, and cause an 'all out war'. Blood fills the streets; as everyone turns to brutal violence, and continuous rapping.

The movie is really weird, and definitely not for everyone, but I like 'weird'; and I found myself really enjoying it. The film took a little while for me to get into, at first it's pretty jarring; but once I was 'hooked', I was completely involved and thoroughly entertained! The action is brutally violent, and many scenes are pretty twisted and sadistic; but it's also filled with catchy hip- hop music, and beautifully choreographed fight scenes. The performances are great, and the visuals are always interesting to look at. The film is sure to become a beloved cult classic, by many genre fans, while many others will hate it. You know you're witnessing 'great art', when people are completely divided!

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