"The Bloody Judge" is unquestionably one of Jess Franco's finest accomplishments, and there are several elements that contributed to this. First of all, Christopher Lee depicts another unforgettably mean-spirited and frightening horror protagonist. This doesn't always guarantee a great movie, mind you, as Franco and Lee previously collaborated to make a couple of sequels in the Fu Manchu series, and they were dreadfully boring films. The character of medieval witch hunter Judge Jeffries clearly suits Lee a whole lot better than the oddly mustached oriental master-criminal and his performance confirms this. Secondly, for one of the few times during his entire career, Jess Franco could actually rely on a decent budget! There was enough money for fancy costumes and atmospheric scenery, and even the editing and cinematography were clearly handled professionally. Finally, you can hardly go wrong with the subject matter of medieval witch-hunting, political corruptness, vile torture footage and robust executions. Although clearly inspired by the popularity of "Witchfinder General" (starring Vincent Price),"The Bloody Judge" contains more than enough own ideas and ingenuity to be considered as a success in its own right. The film opens with the extended and compelling trial of a young girl accused of witchcraft, leading to her relentless execution burning at the stake. The long opening adequately introduces the character of Judge Jeffries, but the actual plot only unfolds after this. The executed girl's sister flees up the country and falls in love with the son of an eminent politician, who also happens to rebel against the corrupt English crown. The obsessive Judge Jeffries orders his followers to capture all the rebels and submit them to torture, but the army of William of Orange is slowly approaching England to conquer the crown. The amounts of graphic violence and – especially – gratuitous sleaze are admirably kept rather low, and this in favor of character development and tension building. Naturally, there are a handful of brutal sequences on display (notably the "interrogation" of poor Alicia) but "The Bloody Judge" is mainly story & atmosphere-driven. Franco regular Howard Vernon (Dr. Orloff!) has a small but terrific role as the sneering executioner Ketch. Like another reviewer already stated, Vernon here strangely resembles Marty Feldman when he played Igor in "Young Frankenstein". Maria Rohm is enticing and beautiful as ever playing Mary or "that wench" as people insist on referring to her. "The Bloody Judge" is a good film that easily deserves a spot in my Jess Franco top five, alongside "The Diabolical Dr. Z", "The Awful Dr. Orloff", "Faceless" and "Love Letters of a Portuguese Nun".

My review is based on the recent DVD release which is more explicit than the version released in theaters. However, both versions were rather explicit.

I am not the most prudish person out there, so don't automatically think I am just a nut based on my summary. Saying the film is 'rather pornographic' is not something I say lightly and I am surprised that none of the other reviewers found this film offensive. But, in addition to having a lot of nudity (some very explicit),most of this nudity was sadistic in nature--showing women getting raped or being tortured. Woman after woman appeared in the film naked or semi-naked and drenched in blood while being brutalized. Now the film was about the evil abuses of the British courts in the late 17th century--so some brutality is inevitable. However, women are simply objects--objects to be brutalized for some voyeuristic fantasy.

The film is about a particularly evil judge (Christopher Lee) who takes great delight in sentencing people to death and maltreatment. While he personally doesn't even see the results of his sentences, he knows what sort of atrocities his men do and he is completely indifferent. In addition, late in the film he rapes a comely prisoner--so he's obviously a pretty horrible person. Most of the film consists of either showing women being savaged or showing the 'good guys' in their crusade to rid the country of an incompetent king (James II) as well as his evil minions (including Lee).

While this COULD have been a very good film (after all, it's a very important part of British history that's been mostly ignored in movies),it isn't. It is excessive and gross throughout. The actors appear to try their best with the material, but how can actors get noticed when the film has little plot (at times) and lots of drooling sickos molesting and beating women? Even if you are a fan of Christopher Lee (like me),I can't recommend the film. However, if you'd like a similar and not quite as excessive film, try watching Vincent Price's WITCHFINDER GENERAL (1968). While not exactly the same plot (it doesn't mention the transition from James II to William of Orange during the revolution, as it was set about 40 years earlier in history) and also a bit graphic, it is about an evil judge who delights in torture and rape to deal with witches...or pretty much anyone who doesn't do his bidding. And, fortunately, the film doesn't feel like a snuff film--like THE BLOODY JUDGE ("Il trono di fuoco").

This is actually one of Jess Franco's better films; a relatively high budget goes a long way in creating some authentic locations and costumes in this historical drama. The film is also refreshingly free (well, not totally) of the pointless zoom shots of which Franco was so proud. The original title was NIGHT OF THE BLOOD MONSTER, but as there are no monsters involved, it seems to bear little relation to the film and THE BLOODY JUDGE is indeed far more apt. Christopher Lee plays the cruel judge who has blood on his hands as he finds all suspected witches guilty and sends them to be burnt alive.

The film is very similar storyline to WITCHFINDER GENERAL, an obvious influence, as well as MARK OF THE DEVIL. The film has a lot going in its favour, but ultimately it fails to be a masterpiece due to the confusing editing and disjointed feel to the whole thing. While the threadbare plot is nothing new, it gives ample opportunity for Franco to delight in what he likes best: naked women, and plenty of torture scenes, including a woman being whipped and (the most wince-inducing) a bloodied woman stretched on the rack.

Christopher Lee gives a tour-de-force performance in the title role and he's perfectly cast as the cruel, tyrannical lawman. His portrayal of the corrupt and seemingly powerful leader who is plagued by inner demons is an insightful one. Lee is surrounded by some top Euro crumpet, indeed Franco fills out the cast with lots of beautiful women who get variously tortured and murdered. Franco favourite Howard Vernon enjoys himself as an executioner.

Those who enjoyed the aforementioned classic with Vincent Price will be sure to delight in this very similar film. Attention to detail is surprisingly thorough, and the costumes and sets are brilliant. Without the grisly torture sequences the film would be an interesting, engaging historical story of a barbaric time in Britain, but with them, it becomes an accurate portrayal of the violent and perverse state that the country was in. Worth seeing for Lee's memorable performance alone, this may not be a very good film, but it's definitely better than you might have come to expect from exploitation king Franco.